![]() At the same time, this discourse has strengthened the discrepancies between specific “women’s identity” in different European regions and highlighted gender differences in these countries, whereas the discussion of gender and emancipation was hardly developed. The presence of a feminist discourse had played a major part in opening-up the discussion of gender, including the – inequalities, challenges, and changing roles faced by the archetypical woman. The name Secondary Archive is a slight provocation, keeping in mind that those countries have always been considered “secondary” in relation to the First World and that women have always been the “second sex” to justify the men’s dominance.ĭespite the shifting situation of women in art, a position of the female artist remains secondary. "Secondary Archive is an on-line platform that aims to present the history of non-Western, European art - mainly Central and Eastern Europe from the perspective of female artists, curators, thinkers, and other makers, covering the period after WWII through the present. It’s such an honor to be included in this unique platform that aims "to explore the diverse sets of concerns by looking at the ongoing debates on gender, agency, (in)equality, citizenship, and women’s activism in post-state socialism." I am grateful to Dejan Vasić, a curator at CZKD (Center for Cultural Decontamination), Belgrade, for the invite and collaboration. I am thrilled to share the publication of my page on Secondary Archive, an international research platform that presents the history of Central and Eastern European art from the perspective of its female creators. The program will remain accessible and watchable through 10:30pm PT on November 16: The full program will be streamed on Microscope website starting at 6pm ET on Sunday November 13. Niyaz Saghari // Michael Lyons // Tetsuya Maruyama // Allyson Packer & Jesse Fisher // Anna Kipervaser // Sara Bonaventura // Yinglin Zhou // Paul Khahliso Matela Zisiwe // Agustina Markez // Jeri Coppola Nate Dorr // Zainab Aliyu // Kamila Kuc // Diane Nerwen // Jung-Chul Hur // Hana Yoo // Lucas Kane // Rodrigo Nava Ramirez // Francisco Rojas // Sabine Gruffat // Gloria Chung // Shon Kim Yuula Benivolski // Jean-Michel Rolland // Megan Dieudonné & Andrea Rüthel // Bayu Kusuma // Yacob Bizuneh // Lorenzo Gattorna // Vivian Ostrovsky // Zorica Čolić // Anuj Malhotra // Abigail He // Duane Peterson III Others focus on acts of protests themes of social justice and war the excess living styles of the elite utopian proposals of world community and connection and a longing for and appreciation of connections. Several highly personal works celebrate everyday moments with friends or unearth previously unprocessed memories and histories. With the majority of works made while the artists were entrenched in lock-down, the event finds many considering their bodies, personal spaces, computer screens, and relationships with nature - other animals and insects, oceans and plant life, and the light from our sun. The program features a wide-ranging program of artists, established and emerging, from around the globe utilizing and incorporating Super 8mm, 16mm film, 35mm photographs, miniDV, HD, 4K, stop-motion, 3D animation, computer graphics and other formats. Microscope is very pleased to present Pool Party 2022, a three-part screening program of selected works from our 2021-22 Open Call. Screening In-Person November 13 at 3:00pm Sunday November 13 – Thursday November 17, 11pm PT ![]() The exhibition is open from January 26th to March 5th, 2023. "What is enjoyment today? What is its connection with capitalist formations of power, production and exchange of goods? Where is the enjoyment in the world of algorithmically produced needs, generated desires and clichéd ways to satisfy them? Is enjoyment a chemical reaction, a communication in the brain that takes place between two or more transmitters with or without additional stimuli? Is enjoyment a relic of the past, a recurrence of enlightened and humanist values and beliefs that are superfluous today, in a posthuman and postproduced reality? (from the text in the exhibition catalog)" I am pleased to invite you to the exhibition "From/To Enjoyment," curated by Maja Stanković, in the Cultural Center Gallery, Belgrade.Īrtists: VKS (Vocal-Curator Syndrome), Dragana Žarevac, Neša Paripović, Milija Pavićević, Emilija Terzić, Predrag Terzić, Jovan Čekić, Zorica Čolić Opening reception Thursday, January 26th 2023
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